Here’s Looking at You Podcast #5 Why Burlesque Needs Rubyyy Jones

Image of Rubyyy courtesy of Matthew Kitchen. Shot at The Cat’s Pyjamas ‘Thanks For The Mammaries’ tenth anniversary, farewell show. Copyright

A little later than anticipated, but well worth the wait, here is podcast #5 ‘Why Burlesque Needs Rubyyy Jones.’

In this podcast I chat with the award-winning queerlesque star about how she defines herself, as a performer and persona, where the three yyy’s comes from, her roots and role models, her early performances, how her style came about and her experience as a promoter.

We also discuss burlesque audiences and their role in the form, the sense of responsibility she feels as a performer, promoter and activist, the current social context and where she hopes burlesque will go in the future.

Whilst we will return to the notion of the carnivalesque in the next podcast, it is also useful term to apply to Rubyyy.  When I talk about the notion of the carnivalesque and the unruly woman in the podcast,

Here’s Looking At You Podcast #3 – ‘I Am Woman, Hear Me Phwoar!’ Hebden Bridge Burlesque Festival Panel Discussion Event (Part Two)

(L-R) Sadie Sinner, Heidi Bang-Tidy, Rubyyy Jones, Dr. Ellen Wright, Dr. Jacki Willson, Dr. Claire Nally.

Welcome to the second and final half of the #DMUEngage panel discussion event ‘I am Woman, Hear Me Phwoar!’ which took place on the Sunday of the 2017 Hebden Bridge Burlesque Festival.

Here performers, promoters and activists Sadie Sinner, Rubyyy Jones