I’m pleased to have a new chapter on Swimming Film Star Esther Williams in this new book from the Routledge Research in Sport, Culture and Society series Sport, Film and National Culture edited by Seán Crosson.
This chapter focuses primarily upon all-American Williams, exploring discourse around MGM’s Million Dollar Mermaid (1952) and the promotional materials (posters, marquee displays, photographic pin-ups, etc.) for her and her films. This is supplemented with a range of other contemporaneous materials that engaged with the American cultural phenomenon of the aquacade, such as pornographic comics, known as Continue reading