In this podcast I talk with PhD candidate Emma Purce about her research into the British seaside freak show in 20th century Britain. Whilst a lot has already been written on the freak show in the 19th century and particularly in America, Emma is really helping to shape our understanding of the 20th century freak show.
We discuss the notion of liminal, permissive working class spaces and the history, the legacy and the politics of the freak show and of the curious, scrutinising gaze employed when attending such an entertainment
Image of Rubyyy courtesy of Matthew Kitchen. Shot at The Cat’s Pyjamas ‘Thanks For The Mammaries’ tenth anniversary, farewell show. Copyright
A little later than anticipated, but well worth the wait, here is podcast #5 ‘Why Burlesque Needs Rubyyy Jones.’
In this podcast I chat with the award-winning queerlesque star about how she defines herself, as a performer and persona, where the three yyy’s comes from, her roots and role models, her early performances, how her style came about and her experience as a promoter.
We also discuss burlesque audiences and their role in the form, the sense of responsibility she feels as a performer, promoter and activist, the current social context and where she hopes burlesque will go in the future.
Whilst we will return to the notion of the carnivalesque in the next podcast, it is also useful term to apply to Rubyyy. When I talk about the notion of the carnivalesque and the unruly woman in the podcast, Continue reading →