Yesterday I went on what seems to be coming an annual outing with my friend and burlesque promoter/producer Lady Wildflower to that thar London.
Having enjoyed our trip to see the magnificent Imelda Staunton playing Rose in Gypsy at the beautiful Savoy theatre last year, this year we took a trip to see the musical stage adaptation of Mrs Henderson Presents at the Noel Coward theatre.
We are both big fans of the film, starring Dame Judi Dench and the late, great Bob Hoskins as the ultimate showman, Vivian Van Damm and we were keen to see how it would translate as a musical. Reviews had been good.
As you can probably guess from our photo, we had a wonderful time.
In terms of setting, the theatre was lovely and the staff were extremely helpful. The performances were excellent, the music/songs were great and the sets were great too. I particularly liked the way in which the stage space and the auditorium were used. We, the audience we repeatedly pulled in to the action. This made the piece even more affecting, like you were part of theatre history and it was happening around you. I’m not going to lie, I cried at several points. As a historian I’d love nothing more than to be able to travel back in time and actually go to a Windmill show.
Of particular interest to me was the way the myth around the Windmill was developed and used in the piece. The notion that the theatre ‘never closed’, that in the best theatrical tradition ‘the show must go on’ and that notion of the British stiff upper lip were all invoked here. Continue reading →