Yaaas Queen! After a short break Here’s looking at you returns and in this sickening podcast, Dr Ellen Wright has a discussion with thin, white and salty New York comedy queen and Ru Paul’s Drag Race alumni Miz Cracker.
Having met on the afternoon of Cracker’s last date on her sell-out UK It’s Time tour, Cracker wowed Ellen with her charisma, uniqueness, never and talent, not to mention just how sweet and frank she was.
A couple of weeks ago the lovely Jade, who works for the Phoenix cinema in Leicester approached me about recording a ‘Phoenix Talks’ podcast about why the film-going public loves a Christmas film, about nostalgia and what makes for a good Christmas film, and specifically about why the 1946, Frank Capra classic, It’s a Wonderful Life has, for many, become the ultimate Christmas film.
We talked about the film itself and why its so enjoyable but also the film’ broader context, how it was actually slow to take on a cultish following and why.
Every year, rather wonderfully, the Phoenix runs a fundraising screening of this Christmas stalwart, in aid of Leicester homeless charities. Hence Jade and myself chatting about the film.
I will say though, whilst Its aWonderful Life is Wonderful, its not *quite* as wonderful a Christmas film as another Capra classic, Meet John Doe. If you haven’t seen it, I’d heartily recommend it, with a glass of mulled wine and a mince pie.
If you want a taster of Its a Wonderful Life, check out the trailer:
In this podcast Dr Ellen Wright talks with Pawlet Brooks of the social enterprise Serendipity, who facilitate and coordinate Leicester’s annual Black History Month provision.
The pair got together in the days immediately prior to the beginning of BHM so the mood was electric. They discuss Pawlet’s role at Serendipity, and the political function and the history of the BHM provision. Other topics broached include the politics of programming, the importance of giving a platform to minorities, plugging Continue reading →
In this podcast, Dr Ellen Wright has a discussion with film programmer at the BFI Southbank, Anna Bogutskaya.
The pair discuss the current Joan Crawford retrospective, ‘Fierce: the untameable Joan Crawford’ and associated public talk that Anna programmed.
Inspired by the upcoming Women in Hollywood symposium and by broader current events in the US film industry, in this podcast I talk with American scholar and invited speaker at the symposium, Kerry McElroy. Kerry is an interdisciplinary scholar currently based at Concordia University in Montreal, who researches and writes on women’s exploitation in Hollywood. She has written on the casting couch, on ethnicity in Hollywood and much more.
We discuss what makes this film so bad it’s good, its director, Tommy Wiseau, The Disaster Artist and the Golden Globe winning performance by James Franco but most importantly we talk about the unique fandom around The Room.
Other topics we cover include fan communities and bonding via film, participatory cinema more generally, authenticity, performance and the nature Continue reading →
I was recently interviewed by PhD candidate Becky Jones* for Phoenix Talks – her podcast in association with the Leicester’s independent cinema, the Phoenix.
Becky kindly invited me to talk with her about biopic The Battle Of The Sexes which recently ran at the cinema. The film tells the story of the famous tennis match of the same name that took place in 1973 between Billie Jean King and Bobby Riggs.
I wanted to talk with Becky about some of the ways in which this film raises issues around the media representation of sporting women’s bodies (which are often understood to be a problem as the power and potential they convey means they aren’t feminine or pliant enough) about toxic masculinity and about feminism. It’s a bit rambly, but hey, it was the end of term!
In this podcast I talk with PhD candidate Emma Purce about her research into the British seaside freak show in 20th century Britain. Whilst a lot has already been written on the freak show in the 19th century and particularly in America, Emma is really helping to shape our understanding of the 20th century freak show.
We discuss the notion of liminal, permissive working class spaces and the history, the legacy and the politics of the freak show and of the curious, scrutinising gaze employed when attending such an entertainment
Kiki onstage. Image courtesy of Joust Photography, taken at the Hebden Bridge Burlesque Festival, 2017
In this episode of Here’s Looking at You I chat with burlesque emcee, singer, teacher and former contestant in BBC’s The Voice, Kiki Deville. Kiki is a charismatic and hugely talented performer who is renowned for her big voice, big personality and big boobs and this has led her to be considered an unruly woman.
Inspired by Anne Helen Peterson’s recent book ‘Too Fat, Too Slutty, Too Loud: The Rise and Reign of The Unruly Woman,’ we got together to talk about Kiki’s experience of The Voice and subsequent attempts by the popular media at bullying and body shaming her, about being ‘fair game,’ picking your arguments, the pleasures and pitfalls of celebrity culture, appropriate online behaviour, and grief.
Following its success at the Emmy Awards, where it won best TV drama, best actress and best supporting actress, it is probably time to release my podcast about the TV adaptation of The Handmaid’s Tale.
In this podcast I talk with poet, teacher, writer, musician and community activist Josie Moon, about the Margaret Atwood source novel and its recent, television incarnation.
A strikingly prescient pair of texts, both prompt us to discuss all manner of contentious topics, from women’s reproductive rights, to the process of othering, to hierarchies, freedom of speech and star activism.
As you’ll hear, as is always the case when Josie and I get together, this conversation is quick fire and there are no holds barred. Josie is a very political creature and it’s one of the many Continue reading →