Performance, Perspective and Control in Jackie (2016)

I’ve recently had an abstract accepted for the rather exciting conference, Revisiting the Gaze: Feminism, Fashion and the Female Body. My friend Jacki Willson (author of The Happy Stripper: Pleasures and Politics of the New Burlesque and Being Gorgeous: Feminism, Sexuality and the Pleasures of the Visual) told me about it and suggested it would probably be of interest to me.

My writing tends to be historical in focus (not surprising really, I’m part of the Cinema and Television History Research centre at DMU). I’m repeatedly drawn to American cinema and its (often deeply problematic) representation of women and to how these representations may speak to and about audiences and culture, both at the time of their production and thereafter. Continue reading

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