In this podcast, Dr Ellen Wright has a discussion with film programmer at the BFI Southbank, Anna Bogutskaya.
The pair discuss the current Joan Crawford retrospective, ‘Fierce: the untameable Joan Crawford’ and associated public talk that Anna programmed.
Inspired by the upcoming Women in Hollywood symposium and by broader current events in the US film industry, in this podcast I talk with American scholar and invited speaker at the symposium, Kerry McElroy. Kerry is an interdisciplinary scholar currently based at Concordia University in Montreal, who researches and writes on women’s exploitation in Hollywood. She has written on the casting couch, on ethnicity in Hollywood and much more.
This blog post contains a number of resources you may find of use prior to and during the symposium discussions surrounding the current and historic poor treatment of women in the American film industry. Simply click on the image to be taken to the resource.
Currently these resources focus heavily on the recent context, but this is not intentional.
These resources collected here are in no way exhaustive. I’d like this to grow and I would very much welcome further suggestions as to what to add here.
To ensure that participants across a range of career stages and wage brackets are part of the conversation at the Women in Hollywood symposium, there is no registration fee to attend, but we are aware that there are other costs involved in attending.
To help cover the cost of attending, the Cinema and Television History research centre at DMU will be offering a travel bursary to a limited number of postgraduate students whose research interests link with the symposium and who want to attend this event.
The CATH MA Travel Bursary is a competitive fund for exceptional students completing or who have recently completed MAs but who are not registered for a PhD.
You don’t even have to be presenting at Women in Hollywood to be eligible to apply.
Email me firstname.lastname@example.org for a form or if you have any further questions.
A couple of weeks ago I was part of an all-female panel discussion of the treatment of older women in Hollywood. The discussion followed a screening of the recent Paul McGuigan biopic Film Stars Don’t Die in Liverpoolwhich charts the relationship between ageing Hollywood star Gloria Grahame and younger British actor Peter Turner.
I enjoyed the film very much and was excited to be asked by marketing assistant and my PhD supervisee, Becky Jones, to be part of the discussion event at the wonderful Phoenix cinema in Leicester.
The film itself was very good, beautifully shot and both Benning and Bell’s performances were excellent. It also raised a number of issues around the idea of the ageing female star and the broader treatment of women in Hollywood which really seemed to chime with the recent Weinstein allegations and the public debate around the #MeToo campaign.
Kiki onstage. Image courtesy of Joust Photography, taken at the Hebden Bridge Burlesque Festival, 2017
In this episode of Here’s Looking at You I chat with burlesque emcee, singer, teacher and former contestant in BBC’s The Voice, Kiki Deville. Kiki is a charismatic and hugely talented performer who is renowned for her big voice, big personality and big boobs and this has led her to be considered an unruly woman.
Inspired by Anne Helen Peterson’s recent book ‘Too Fat, Too Slutty, Too Loud: The Rise and Reign of The Unruly Woman,’ we got together to talk about Kiki’s experience of The Voice and subsequent attempts by the popular media at bullying and body shaming her, about being ‘fair game,’ picking your arguments, the pleasures and pitfalls of celebrity culture, appropriate online behaviour, and grief.